Yamaha MU50 - Handbuch (Seite 138)

ANHANG
129
Index
A
A/D-Eingang .............................................................. 24–25
A/D-Part ..................................................................... 24, 77
A/D-Part-Verriegelung ..................................................... 99
All Part Control .............................................. 40–43, 72–74
All Part Control, auswählen ............................................. 40
Alternate Group (Drum Setup) ......................................... 64
Anschlüsse, Audio- ..................................................... 12–13
Anschlüsse, MIDI- ......................................... 12–13, 27–28
Assignable Controller 1 .............................................. 77, 82
Assignable Controller 1 Amplitude Control ..................... 82
Assignable Controller 1 Control Change Number ........... 77
Assignable Controller 1 Filter Control ............................. 82
Assignable Controller 1 Variation Control ....................... 90
B
Bank (Performance-Modus) ........................................ 67-68
Bank-Nummer (Multi-Modus) ......................................... 37
Bank-Nummer (Performance-Modus) ............................. 69
Bänke, ändern ....................................................... 18, 67–68
C
C/M-Modus ................................................ 34, 54, 103, 105
Chorus (Chor) ............................................................. 88–89
Chorus Pan (Chor-Stereoposition) ............................. 88–89
Chorus Return (Chor zurücksenden; Multi-Modus) ........ 41
Chorus Return (Chor zurücksenden;
Performance-Modus) ................................................. 71
Chorus Send (Chor senden; Drum Setup) ........................ 63
Chorus Send (Chor senden; Multi-Modus) ...................... 39
Chorus Send (Chor senden; Performance-Modus) ........... 71
Chorus Type (Chor-Typ) ................................................... 88
Computer, Anschlußkabel ................................................ 31
Computer, den MU50 verbinden mit ................................ 25
Computer, IBM PC und Klone ................................... 26–27
Computer, Macintosh ................................................. 25–26
Contrast (Kontrast) ........................................................... 97
Copy (Kopieren) ......................................................... 83–84
Cutoff Frequency (Grenzfrequenz) .................................. 44
Cutoff Frequency (Grenzfrequenz; Schlagzeug-Set) ....... 63
D
Demo-Song ....................................................... 15, 104–105
Detune ........................................................................ 52, 80
DOC-Modus ............................................... 34, 54, 103, 105
Drum Setup Controls .................................................. 61–65
Drum Setup-Menü,
Anwahl und Bearbeitung ..................................... 61, 62
Dry/Wet (Variation) .......................................................... 90
Dump Interval ................................................................... 97
Dump Out-Funktionen .............................................. 98-101
E
Editing in All Part (Bearbeiten ...) .................................... 40
Editing in Single Part (Bearbeiten ...) .............................. 36
Effect Edit-Modus ...................................................... 86–94
Effekt-Verbindungen (System und
Insertion/Einfügen) .............................................. 92–94
EG (Envelope Generator -
Hüllkurven-Generator) .................................. 45–50, 79
EG Attack (EG-Anstieg; Drum Setup) ............................. 65
EG Attack Time (EG-Anstiegszeit) .................................. 46
EG Decay 1 (EG-Abklingzeit 1; Drum Setup) ................. 65
EG Decay 2 (EG-Abklingzeit 2; Drum Setup) ................. 65
EG Decay Time (EG-Abklingzeit) ................................... 47
EG Release Time (EG-Ausklingzeit) ............................... 47
Expression (Ausdruck) ..................................................... 38
F
Filter .................................................................... 43–45, 79
G
Geräte-Nummer (Device Number) ................................... 40
Gemeinsame Parameter (Common Parameters) ......... 75–77
I
Initialize Functions (Initialisier-Funktionen) ......... 101–104
Insertion Connection (Einfügungs-Verbindung) ........ 92–94
L
Level (Pegel; Drum Setup) ............................................... 62
M
Master Tune ...................................................................... 95
Master Volume (Gesamtlautstärke) .................................. 41
MIDI-Kanal wechseln ...................................................... 72
MIDI-Datenfluß (Diagramm) ........................................... 30
MIDI-Datenspeichergerät ........................................... 29, 98
MIDI-Geräte anschließen ......................... 12–13, 27–28, 98
MIDI-Keyboard, den MU50 über ... spielen .................... 16
MIDI-Keyboard, Voices auswählen mit ........................... 19
MIDI, Receive Channel (MIDI-Empfangskanal) ............. 36
MIDI, Receive Port (MIDI-Empfangsanschluß) .............. 36
Modulation Wheel - LFO Filter Modulation Depth
(Modulationsrad - Modulationstiefe des LFO-Filters)81
Modulation Wheel - LFO Pitch Modulation Depth
(Modulationsrad - Modulationstiefe der
LFO-Tonhöhe) ..................................................... 60, 81
Mono/Poly-Modus ...................................................... 54, 80
Multi Edit-Modus ............................................................. 43
Multi-Modus ............................................................... 34–65
Multi-Modus, auswählen .................................................. 34
Multi Play-Modus ............................................................. 35
Mute (Stummschaltung) ................................................... 23
Mute Lock (Stummschaltung-Verriegelung) .................... 96
N
Note Limit High (obere Notenbereichsgrenze) .......... 57, 80
Note Limit Low (untere Notenbereichsgrenze) .......... 57, 80
Note Shift (Notenverschiebung/
Transponierung; Multi-Modus) ................................. 39
Note Shift
(Notenverschiebung/Transponierung;
Performance-Modus) ................................................. 71
O
Others-Parameter (“Andere”) ..................................... 52, 80