Yamaha MU50 - Handbuch (Seite 139)

130
ANHANG
P
Pan (Panorama/Stereoposition; Drum-Setup) .................. 62
Pan (Panorama/Stereoposition; Multi-Modus) ................. 38
Pan (Panorama/Stereoposition;
Performance-Modus) ................................................. 70
Part Controls (Part-Regler) ................... 6, 20, 35–42, 69–74
Part Edit-Modus ........................................................... 7, 10
Part-Modus ....................................................................... 53
Part-Parameter ............................................................ 78–82
Part-Einstellungen ändern ................................................ 22
Parts, auswählen ......................................................... 20–21
Performance-Bank ...................................................... 67, 72
Performance Edit-Modus ....................................... 9, 75–82
Performance-Modus ............................. 54, 66–85, 103, 105
Performance-Name ..................................................... 75–76
Performance-Nummer (Performance Number) ................ 72
Performance Pan
(Performance-Panorama/Stereoposition) .................. 73
Performance Part Control ........................................... 69–74
Performance Play-Modus ........................................... 66–68
Performance Volume (Performance-Lautstärke) .............. 73
Performances; Preset-
oder Internal, anwählen ................................. 67–68, 72
Pitch Bend Control
(Tonhöhenrad) ..................................................... 60, 81
Pitch Coarse (grobe Tonhöhe; Drum Setup) .................... 62
Pitch EG (Tonhöhen-EG) ........................................... 48–50
Pitch EG Attack Time
(Tonhöhen-EG-Anstiegszeit) ..................................... 49
Pitch EG Initial Level
(Tonhöhen-EG-Anfangspegel) .................................. 48
Pitch EG Release Level
(Tonhöhen-EG-Ausklingpegel) ................................. 49
Pitch EG Release Time
(Tonhöhen-EG-Loslaß-Abklingzeit) ......................... 50
Pitch Fine (feine Tonhöhe; Drum Setup) .......................... 62
Play-Modus .................................................................. 7, 35
Portamento Switch (Portamento-Schalter) ................. 58, 80
Portamento Time (Portamento-Zeit) .......................... 58, 81
Programm(Voice)-Nummer (Multi-Modus) ..................... 37
Programm(Voice)-Nummer (Performance-Modus) ......... 69
R
Receive Bank Select
(Empfangen von Bank Auswählen) ........................... 97
Receive General MIDI Exclusive
(Empfangen von ...) ................................................... 96
Receive Note Off
(Note empfangen ausgeschaltet; Drum Setup) .......... 65
Receive Note On
(Note empfangen angeschaltet; Drum Setup) ........... 64
Receive System Exclusive (Empfangen von ...) .............. 96
Resonanz .......................................................................... 44
Resonanz (Drum Setup) ................................................... 64
Reverb (Nachhall) ...................................................... 86–87
Reverb Pan (Nachhall-Stereoposition) ............................. 87
Reverb Return
(Nachhall zurücksenden; Performance-Modus) ........ 73
Reverb Send (Nachhall senden; Drum Setup) .................. 62
Reverb Send (Multi-Modus) ............................................ 38
Reverb Send (Performance-Modus) ................................. 70
Reverb Type (Nachhall-Typ) ...................................... 86–87
S
Send Chorus to Reverb ..................................................... 89
Send Variation to Chorus .................................................. 91
Send Variation to Reverb .................................................. 91
Single Part Control (Multi-Modus) ............................ 36–39
Single Part Control (Performance-Modus) ................. 69–71
Single Part Control anwählen ........................................... 36
Solo ................................................................................... 23
Sound Modul-Modus .......................................................... 6
Sound Modul-Modus anwählen ............................... 34, 105
Speichern (Store) ........................................................ 84–85
Spielen des MU50 ...................................................... 14–16
System-Verbindung .................................................... 92–94
System-Funktionen ..................................................... 95–98
System MIDI Channel (System-MIDI-Kanal) ................. 72
System Transpose ............................................................. 74
T
TG300B-Modus .......................................... 34, 54, 103, 105
Thru Port (Thru-Anschluß) .............................................. 98
U
Utility-Modus (Dienstprogramm-Modus) .......... 10, 95–105
V
Variation ..................................................................... 89–91
Variation Connection (Variations-Verbindung) ................ 91
Variation Pan (Variations-Panorama/Stereoposition) ....... 91
Variation Return (Variation zurücksenden; Multi-Modus) 42
Variation Return (Variation zurücksenden;
Performance-Modus) ................................................. 74
Variation Send (Variation senden; Drum Setup) .............. 63
Variation Send (Variation senden; Multi-Modus) ............ 39
Variation Send (Variation senden;
Performance-Modus) ................................................. 71
Variation Type (Variations-Typ) ....................................... 90
Velocity Limit High (obere Velocity-Bereichsgrenze) 59, 81
Velocity Limit Low (untere Velocity-Bereichsgrenze) 59, 81
Velocity Sensitivity Depth
(Tiefe der Anschlagsempfindlichkeit) ................. 55, 80
Velocity Sensitivity Offset
(Versetzung der Anschlagsempfindlichkeit) ........ 56, 80
Vibrato .................................................................. 50–51, 80
Vibrato Delay (Vibrato-Verzögerung) .............................. 51
Vibrato Depth (Vibrato-Tiefe) .......................................... 51
Vibrato Rate (Vibrato-Geschwindigkeitsstufe) ................ 50
Voices, auswählen ....................................................... 17–19
Volume (Lautstärke; Multi-Modus) .................................. 37
Volume (Lautstärke; Performance-Modus) ...................... 70
X
XG-Modus .................................................. 34, 53, 103, 105