Elektrische eigenschaften, Pm5d/pm5d-rh, Referenzteil – Yamaha PM5D-RH V2 DE Benutzerhandbuch

Seite 389: Frequency response, Gain error, Total harmonic distortion

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PM5D/PM5D-RH V2 / DSP5D Bedienungsanleitung

Referenzteil

389

Informationen auf

dem Bildschirm

Funktions-

menü

Globale

Funktionen

Ausgangs-

funktionen

Eingangs-

funktionen

Anhänge

Elektrische Eigenschaften

PM5D/PM5D-RH

All faders are nominal when measured. Output impedance of signal generator:150ohms

Frequency Response

Fs= 44.1 kHz or 48 kHz @20 Hz–20 kHz, referenced to the nominal output level @1 kHz
Fs= 88.2 kHz or 96 kHz @20 Hz–40 kHz, referenced to the nominal output level @1 kHz

Gain Error

@1 kHz

Total Harmonic Distortion

Fs= 44.1 kHz or 48 kHz

* Total Harmonic Distortion is measured with a 18 dB/octave filter @80 kHz

Total Harmonic Distortion

Fs=88.2 kHz or 96 kHz

* Total Harmonic Distortion is measured with a 18 dB/octave filter @80 kHz
* GAIN Max. = –60 dBu (PM5D), –62 dBu (PM5D-RH)

Input

Output

RL

Conditions

Min.

Typ.

Max.

Unit

INPUT 1-48

STEREO A,B

600

Ω PM5D:

GAIN: Max., PAD: Off

PM5D-RH:

GAIN: Max.

–1.5

0.0 0.5

dB

MIX OUT

MATRIX OUT

MONITOR OUT

CUE OUT

PHONES

8

–3.0

2TR IN ANALOG 1,2

STEREO A,B

600

–1.5

MONITOR OUT

Input

Output

RL

Conditions

Min.

Typ.

Max.

Unit

INPUT 1-48

STEREO A,B

600

PM5D:

Input Level: –60 dBu, GAIN: Max., PAD: Off

PM5D-RH:

Input Level: –62 dBu, GAIN: Max.

2.0 4.0 6.0

dBu

PM5D:

Input Level: +10 dBu, GAIN: Min., PAD: On

PM5D-RH:

Input Level: +10 dBu, GAIN: Min.

2TR IN ANALOG 1,2

STEREO A,B

600

Ω Input Level: +4 dBu

2.0

4.0

6.0

Internal OSC

STEREO A,B

600

Full Scale Output

23.5

24.0 24.5

MIX OUT

MATRIX OUT

MONITOR OUT

Full Scale Output, MONITOR Level Control: Max.

CUE OUT

Full Scale Output, CUE Level Control: Max.

PHONES

8

–30 dBFs, PHONES Level Control: Max.

–0.5

0

0.5

Input

Output

RL

Conditions

Min.

Typ.

Max.

Unit

INPUT 1-48

STEREO A,B

600

PM5D:

+4 dBu @20 Hz–20 kHz, GAIN: Max., PAD: Off

PM5D-RH:

+4 dBu @20 Hz–20 kHz, GAIN: Max.

0.1

%

PM5D:

+4 dBu @20 Hz–20 kHz, GAIN: Min., PAD: On

PM5D-RH:

+4 dBu @20 Hz–20 kHz, GAIN: Min.

0.05

2TR IN ANALOG 1,2

STEREO A,B

600

Ω +4 dBu @20 Hz–20 kHz

0.05

Internal OSC

STEREO A,B

600

Full Scale Output @1 kHz

0.02

MIX OUT

MATRIX OUT

MONITOR OUT

Full Scale Output @1 kHz, MONITOR Level Control : Max.

CUE OUT

Full Scale Output @1 kHz, CUE Level Control: Max.

PHONES

8

Full Scale Output @1kHz, PHONES Level Control: Max.

0.2

Input

Output

RL

Conditions

Min.

Typ.

Max.

Unit

INPUT 1-48

STEREO A,B

600

PM5D:

+4 dBu @20 Hz–40 kHz, GAIN: Max., PAD: Off

0.1

%

PM5D-RH:

+4 dBu @20 Hz–40 kHz, GAIN: Max.

0.12

PM5D:

+4 dBu @20 Hz–40 kHz, GAIN: Min., PAD: On

PM5D-RH:

+4 dBu @20 Hz–40 kHz, GAIN: Min.

0.05

2TR IN ANALOG 1,2

STEREO A,B

600

Ω +4 dBu @20 Hz–40 kHz

0.05

Internal OSC

STEREO A,B

600

Full Scale Output @1 kHz

0.02

MIX OUT

MATRIX OUT

MONITOR OUT

Full Scale Output @1 kHz, MONITOR Level Control : Max.

CUE OUT

Full Scale Output @1 kHz, CUE Level Control: Max.

PHONES

8

Full Scale Output @1kHz, PHONES Level Control: Max.

0.2

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