Document Outline

• DIE 128 INSTRUMENTSTIMMEN IM INTERNEN ROM
• FUNCTION CONTROL Master Tune = 0
  • B1: POLYIMONO
• FÜHCTIOH CONTROL Po ly Mode
  • B2: PITCH BEND RANGE
• FÜHCTIOH COHTROL P Bend Range - 4
  • PB MODE: MODE SET
• PBHCTIOH CONTROL Bead Node = Low
  • B3: PORTAMENTO MODE
• FUNCTION CONTROL Full TUe Porta
  • B4; PORTAMENTO TIME:
  • SS; PORTAMENTO FOOT SWITCH
• FUNCTION CONTROL Foot Porta • OFF
  • B6; FOOT CONTROL VOLUME
  • B7; FOOT CONTROL SUSTAIN
• FUNCTION CONTROL Foot Sustain^ ON
  • B8: WHEEL RANGE (MODULATION WHEEL), PITCH
  • 89: IVHEEL RANGE (MODULATION WHEEL), AMPLITUDE
  • DER YAMAHA-BLASWANDLER
  • B10: BREATH RANGE, PITCH
• FUNCTION CONTROL BC Pitch = 0
  • B11: BREATH RANGE, AMPLITUDE
  • B12: BREATH RANGE, PITCH BIAS
  • B13: BREATH RANGE, EG BIAS
• FÜMCTIOH CONTROL BC EG Bias = 0
  • B14: CHORUS
  • B15: TRANSPOSE
• FUNCTION CONTROL Middle C = C 3
  • KEY SHIFT: KEY SET
  • A1: MASTER TUNE
  • A2: DUAL MODE DETUNE
• FUNCTION CONTROL Dual Detune =16
  • A9: EDIT RECALL
• FUNCTION CONTROL Recall Edit ?
  • A10: INIT VOICE
• FUNCTION CONTROL In i t. Voice ?
• FUNCTION CONTROL Are You Sure ?
  • A11: LOAD INTERNAL MEMORY
• FUNCTION CONTROL Group to Bank?
• Group (1“16)?
• Gl: PIANOS
  • A12: LOAD SINGLE INTERNAL MEMORY
• FUNCTION CONTROL Voice to Buff ?
• Gl: PIANOS 1: Deep Grand
• MEMORY STORE fron Buff to ?
• MEMORY STORE from Buff to Al
  • A13: CASSETTE SAVEiVERIFY
• FUNCTION CONTROL Save to Tape ?
• froi Mea to Tape all ready ?
  • AU: CASSETTE LOAD
  • A15: CASSETTE LOAD SINGLE
• FUNCTION CONTROL Load Single ?
• Tape i ? to Buff (A1-Ä16.B1-B16)?
• Tape Ä 3 to Buff (A1-A16.B1-B16)?
• Tape A 3 to Buff
  • A16: MEMORY PROTECT
• FUNCTION CONTROL HeB Protect • ON
  • A3: MIDI ONIOFF
• FUNCTION CONTROL Midi Switch
  • A4: RECEIVE CHANNEL
  • A5: TRANSMIT CHANNEL
• FUNCTION CONTROL Midi Trns Ch = 1
  • A6: CHANNEL INFORMATION
• FUNCTION CONTROL Midi Ch Info:0N
  • HINWEIS;
  • 47; SYSTEM INFORMATION
  • A8: BULK TRANSMIT
• FUNCTION CONTROL Midi Transmit ?
  • HINWEIS:
  • 1-PerfB.Memo:SI A 1: 12:Low
• +
  • OPERATOREN
  • TRÄGER UND MODULATOREN
  • ALGORITHMEN
  • AUSWIRKUNGEN DER ALGORITHMEN AUF DEN KLANG
  • RÜCKKOPPLUNG
  • HÜLLKURVENGENERATOREN
  • DER TONHÖHEN-HÜLLKURVENGENERATOR (PITCH E6)
  • PB MODE: OPERATOR SELECT
  • A1-A4: OPERATORIAMS ONIOFFIEG COPY 1 - 4
  • A5: ALGORITHMUS
  • A6: FEEDBACK B
    • HINWEIS:
  • A7; LFO WAVE (Welle)
  • A8: LFO SPEED
  • 49: LFO DELAY
  • 470: LFO PMD
  • A11: LFO AMD
  • A12: LFO SYNC
    • HINWEIS:
  • A13: PITCH MODULATION SENSITIVITY
  • □
    • A14: AMPLITUDE MODULATION SENSITIVITY
    • eALG 3 ÄME 1000 A MOD SENS.= 3
      • A15: EG BIAS
    • eALG 3 nil OP 2 E BIAS SENS.= 5
      • A16: KEY VELOCITY
  • □
    • eALG 3 1111 OP 2 KEY VELOCITY = 4
      • B1: FREQUENCY RATIO
      • B2: DETUNE
      • B3-B7: ENVELOPE GENERATOR, AR, D1R, DIL, DSR, RR
      • B8: OPERATOR OUTPUT LEVEL
      • B9: RATE SCALING
      • B10: LEVEL SCALING
      • B11-16: PITCH ENVELOPE GENERATOR, PR1, PL1, PR2, PL2, PR3, PL3
      • B16: VOICE NAME
        • (1) Parameteränderung
        • (2) Datenblock einer Instrumentstimme
        • (3) Instrumentstimmenblock aus 32 Instrumentstimmen
        • (1) Taste aus
        • (3) Steuerungsänderung (Effekt)
        • (4) Programmänderung
        • (5) Tonhöhenänderung
        • (1) Parameteränderung (Schaltzustand)
        • DATE/PRESET No.
  • YAMAHA PERFORMANCE DATA ome
    • PROGRAMMER