Pa-system mit zwei aktiv-subwoofern, Pa-system mit einem aktiv-subwoofer – MACKIE BEDIENUNGSANLEITUNG TH-12A Benutzerhandbuch

Seite 7

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7

PA-System mit zwei Aktiv-Subwoofern

OL

LEVEL

U

+15

-15

U

+15

-15

U

+15

-15

600

8k

100

MAX

O

O

U

FREQ

HIGH

12kHz

LOW

80Hz

MID

THRU

EQ

CONTOUR EQ

INPUT

ON

POWER

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

OFF
ON

R

O

OL

LEVEL

U

+15

-15

U

+15

-15

U

+15

-15

600

8k

100

MAX

O

O

U

FREQ

HIGH

12kHz

LOW

80Hz

MID

THRU

EQ

CONTOUR EQ

INPUT

ON

POWER

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

OFF
ON

R

O

POWER

ON

B

A

INPUTS

B

A

B

A

OUTPUTS
HIGH PASS

FULL RANGE

LEVEL

+6dB

-6dB

U

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER

POWER

ON

B

A

INPUTS

B

A

B

A

OUTPUTS
HIGH PASS

FULL RANGE

LEVEL

+6dB

-6dB

U

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER

Right Main

Powered Loudspeaker

(Mackie TH-12A)

Powered Subwoofer

(Mackie SRM1801)

Powered Subwoofer

(Mackie SRM1801)

Left Main

Powered Loudspeaker

(Mackie TH-12A)

Pole Mount

Pole Mount

High Pass

Output

High Pass

Output

From Mixer

Right Output

From Mixer

Left Output

ProFX12 Mixer

8K

4K

2K

1K

500

250

125

15

15

10

10

5

5

0

15

15

10

10

5

5

0

TAPE
IN

ST RETURN

MAIN OUT

PHONES

FOOTSWITCH

PHONES

TAPE
OUT

L

R

L

(UNBALANCED)

R

STEREO GRAPHIC EQ

FX SEND

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

LINE IN 4

INSERT

R

L

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

4

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

LOW CUT

100 Hz

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

BAL /

UNBAL

(MONO)

(MONO)

(MONO)

(MONO)

LINE IN 7

LINE IN 8

BAL /

UNBAL

LINE IN 9

R

L

LOW CUT

100 Hz

GAIN

7/8

5/6

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

MIC

GAIN

U

+50

GAIN

MIC

GAIN

U

+50

9/10

12kHz

HI

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

GAIN

MIC

MIC

MIC

MIC

MIC

MIC

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

U

+20

-20

GAIN

U

+20

-20

R

L

11/12

ST RTN

FX RTN

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

U

+15

FX TO MON

FX MASTER

U

+15

O

O

O

O

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

L

R

(MONO)

LINE IN 5

LINE IN 6

BAL /

UNBAL

L

R

LINE IN 10

BAL /

UNBAL

L

R

LINE IN 11

LINE IN 12

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

MON SEND

BAL /

UNBAL

BAL /

UNBAL

PRESETS

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL

13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP

MON

MAIN

4

LINE IN 3

INSERT

3

BAL /

UNBAL

3

LINE IN 2

INSERT

2

BAL /

UNBAL

BAL /

UNBAL

2

LINE/HI-Z IN 1

INSERT

1

5/6

7/8

9/10

11/12

0dB=0dBu

MAIN

METERS

OL

4

6
3

10

15

7

10

20
30

0
2

BREAK

(MUTES ALL CHANNELS)

PHANTOM

POWER

POWER

O

O

+20

U

TAPE LEVEL

O

O

+20

U

USB THRU

LINE

HI-Z

O

O

MAX

1

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

MAIN MIX

MON

EQ IN

BYPASS

PROFESSIONAL MIC/LINE MIXER WITH FX

R

L

INPUT LEVEL

USB

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

Der linke und der rechte Line-Ausgang von einem Mixer versorgen die Eingänge von zwei Aktiv-Subwoofern.
Die Hochpass-Line-Ausgänge der Subwoofer versorgen die Inputs der Mackie TH-12A Aktivboxen.

OL

LEVEL

U

+15

-15

U

+15

-15

U

+15

-15

600

8k

100

MAX

O

O

U

FREQ

HIGH

12kHz

LOW

80Hz

MID

THRU

EQ

CONTOUR EQ

INPUT

ON

POWER

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

OFF
ON

R

O

OL

LEVEL

U

+15

-15

U

+15

-15

U

+15

-15

600

8k

100

MAX

O

O

U

FREQ

HIGH

12kHz

LOW

80Hz

MID

THRU

EQ

CONTOUR EQ

INPUT

ON

POWER

REVISION

SERIAL NUMBER

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR

OFF
ON

R

O

POWER

ON

B

A

INPUTS

B

A

B

A

OUTPUTS
HIGH PASS

FULL RANGE

LEVEL

+6dB

-6dB

U

OL

SIGNAL POWER

POLARITY

NORMAL
INVERT

THERMAL

18-INCH POWERED SOUND REINFORCEMENT SUBWOOFER

8K

4K

2K

1K

500

250

125

15

15

10

10

5

5

0

15

15

10

10

5

5

0

TAPE

IN

ST RETURN

MAIN OUT

PHONES

FOOTSWITCH

PHONES

TAPE
OUT

L

R

L

(UNBALANCED)

R

STEREO GRAPHIC EQ

FX SEND

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

LINE IN 4

INSERT

R

L

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

4

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

MID

2.5kHz

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

R

L

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

LOW CUT

100 Hz

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

BAL /

UNBAL

(MONO)

(MONO)

(MONO)

(MONO)

LINE IN 7

LINE IN 8

BAL /

UNBAL

LINE IN 9

R

L

LOW CUT

100 Hz

GAIN

7/8

5/6

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

R

L

MIC

GAIN

U

+50

GAIN

MIC

GAIN

U

+50

9/10

12kHz

HI

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LEVEL

SET

LEVEL

SET

LEVEL

SET

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

LOW CUT

100 Hz

U

GAIN

MI

C GAIN

U

+50

-20dB

+30dB

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

GAIN

MIC

MIC

MIC

MIC

MIC

MIC

80Hz

LOW

U

+15

-15

U

+15

-15

U

+15

-15

U

+20

-20

GAIN

U

+20

-20

R

L

11/12

ST RTN

FX RTN

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

12kHz

HI

PAN

AUX

U

+15

O

O

MON

FX

U

+15

O

O

U

+15

FX TO MON

FX MASTER

U

+15

O

O

O

O

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

dB

30

20

10

10

O

O

40
50

5

5

U

60

L

R

(MONO)

LINE IN 5

LINE IN 6

BAL /

UNBAL

L

R

LINE IN 10

BAL /

UNBAL

L

R

LINE IN 11

LINE IN 12

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

BAL /

UNBAL

L

R

MON SEND

BAL /

UNBAL

BAL /

UNBAL

PRESETS

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL

13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP

MON

MAIN

4

LINE IN 3

INSERT

3

BAL /

UNBAL

3

LINE IN 2

INSERT

2

BAL /

UNBAL

BAL /

UNBAL

2

LINE/HI-Z IN 1

INSERT

1

5/6

7/8

9/10

11/12

0dB=0dBu

MAIN

METERS

OL

4

6
3

10

15

7

10

20
30

0
2

BREAK

(MUTES ALL CHANNELS)

PHANTOM

POWER

POWER

O

O

+20

U

TAPE LEVEL

O

O

+20

U

USB THRU

LINE

HI-Z

O

O

MAX

1

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

MAIN MIX

MON

EQ IN

BYPASS

PROFESSIONAL MIC/LINE MIXER WITH FX

R

L

INPUT LEVEL

USB

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

MUTE

48V

Left and Right Main

Powered Loudspeakers

(Mackie TH-12A)

Powered Subwoofer

(Mackie SRM1801)

From Mixer

Left and Right

Outputs

High Pass

Output

ProFX12 Mixer

High Pass

Output

PA-System mit einem Aktiv-Subwoofer

Der linke und der rechte Line-Ausgang von einem Mixer versorgen die Eingänge des Aktiv-Subwoofers.
Die Hochpass-Line-Ausgänge des Subwoofers versorgen die Inputs der Mackie TH-12A Aktivboxen.

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