Yamaha PSR-620 - Handbuch (Seite 100)

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Percussion Kit List / V erzeichnis der Schlagzeug- und Percussion-
Note# Note 142: Standard Kit (0) 143: Room Kit (8) 144: Rock Kit (16) 145: Electronic Kit (24)
25 C # 0 Surdo Mute <—— <—— <——
26 D0 Surdo Open <—— <—— <——
27 D # 0 Hi Q <—— <—— <——
28 E0 Whip Slap <—— <—— <——
29 F0 Scratch H <—— <—— <——
30 F # 0 Scratch L <—— <—— <——
31 G0 FingerSnap <—— <—— <——
32 G # 0 Click Noise <—— <—— <——
33 A0 Metronome Click <—— <—— <——
34 A # 0 Metronome Bell <—— <—— <——
35 B0 Click L (Square wave) <—— <—— <——
36 C1 Click H (Square wave) <—— <—— <——
37 C # 1 Brush Tap <—— <—— <——
38 D1 Brush Swirl <—— <—— <——
39 D # 1 Brush Slap <—— <—— <——
40 E1 Brush Swirl W/Attack <—— <—— Reverse Cymbal
41 F1 Snare Roll <—— <—— <——
42 F # 1 Castanet <—— <—— Hi-Q
43 G1 Snare H Soft Snare Room L Snare Rock L Snare Gate L
44 G # 1 Sticks <—— <—— <——
45 A1 Bass Drum H Soft Bass Drum Room L Bass Drum Rock L Bass Drum Gate L
46 A # 1 Open Rim Shot Open Rim Room <—— <——
47 B1 Bass Drum L Bass Drum Room M Bass Drum Rock M Bass Drum Gate M
48 C2 Bass Drum H Hard Bass Drum Room H Bass Drum Rock H Bass Drum Gate H
49 C # 2 Closed Rim Shot Closed Rim Room <—— <——
50 D2 Snare L Snare Room M Snare Rock M Snare Gate M
51 D # 2 Hand Clap <—— <—— <——
52 E2 Snare H Hard Snare Room H Snare Rock H Snare Gate H
53 F2 Floor Tom L Room Tom 1 Rock Tom 1 Electronic Tom 1
54 F # 2 Hi-Hat Closed *1 <—— <—— <——
55 G2 Floor Tom H Room Tom 2 Rock Tom 2 Electronic Tom 2
56 G # 2 Hi-Hat Pedal *1 <—— <—— <——
57 A2 Low Tom Room Tom 3 Rock Tom 3 Electronic Tom 3
58 A # 2 Hi-Hat Open *1 <—— <—— <——
59 B2 Mid Tom L Room Tom 4 Rock Tom 4 Electronic Tom 4
60 C3 Mid Tom H Room Tom 5 Rock Tom 5 Electronic Tom 5
61 C # 3 Crash Cymbal 1 <—— <—— <——
62 D3 High Tom Room Tom 6 Rock Tom 6 Electronic Tom 6
63 D # 3 Ride Cymbal 1 <—— <—— <——
64 E3 Chinese Cymbal <—— <—— <——
65 F3 Ride Cymbal Cup <—— <—— <——
66 F # 3 Tambourine <—— <—— <——
67 G3 Splash Cymbal <—— <—— <——
68 G # 3 Cowbell <—— <—— <——
69 A3 Crash Cymbal 2 <—— <—— <——
70 A # 3 Vibraslap <—— <—— <——
71 B3 Ride Cymbal 2 <—— <—— <——
72 C4 Bongo H <—— <—— <——
73 C # 4 Bongo L <—— <—— <——
74 D4 Conga H Mute <—— <—— <——
75 D # 4 Conga H Open <—— <—— <——
76 E4 Conga L <—— <—— <——
77 F4 Timbale H <—— <—— <——
78 F # 4 Timbale L <—— <—— <——
79 G4 Agogo H <—— <—— <——
80 G # 4 Agogo L <—— <—— <——
81 A4 Cabasa <—— <—— <——
82 A # 4 Maracas <—— <—— <——
83 B4 Samba Whistle H <—— <—— <——
84 C5 Samba Whistle L <—— <—— <——
85 C # 5 Guiro Short <—— <—— <——
86 D5 Guiro Long <—— <—— <——
87 D # 5 Claves <—— <—— <——
88 E5 Wood Block H <—— <—— <——
89 F5 Wood Block L <—— <—— <——
90 F # 5 Cuica Mute <—— <—— Scratch H
91 G5 Cuica Open <—— <—— Scratch L
92 G # 5 Triangle Mute *2 <—— <—— <——
93 A5 Triangle Open *2 <—— <—— <——
94 A # 5 Shaker <—— <—— <——
95 B5 Jingle Bell <—— <—— <——
96 C6 Bell Tree <—— <—— <——
* “<——” zeigt an, daß der Inhalt identisch mit dem Standardset ist.
* Bei der neben dem Namen des Percussion-Sets in Klammern ( ) gesetzten
Nummer handelt es sich um die Programmnummer.
* Die entsprechenden MIDI-Notennummern für die in der unteren Tabelle
aufgeführten Noten liegen tatsächlich eine Oktave tiefer. So ist beispielsweise
die MIDI-Notennummer von Note #36 (C1) in der Tabelle die Note #24 (C0).
* Jeder Schlagzeug/Percussion-Klang belegt eine Note.
* Unterschiedliche Klänge desselben Schlaginstruments (*1 bis *6) können nicht
gleichzeitig erzeugt werden.
* Die GM-Stimmen 129 bis 136 entsprechen den Bedienfeld-Stimmen 142 bis 149.
* “<——” indicates the content is the same as that of Standard Kit.
* The number in parentheses ( ) after the percussion kit name is the MIDI program
number.
* The corresponding MIDI note numbers for the notes listed in the chart below are
actually one octave lower. For example, the MIDI note number for note #36 (C1)
in the chart is note #24 (C0).
* Each drum/percussion voice uses one note.
* The drum and percussion voices in same alternate group *1–6 can not be played
at the same time.
* GM voice numbers 129 through 136 correspond to the panel voice numbers 142
through 149 respectively.