Yamaha EX5 DE - Handbuch (Seite 296)

0~9
123…(Chronologische Reihenfolge) ................................262
2H Shelf (2-High Shelving Filter) ........................................87
2L Shelf (2-Low Shelving Filter) ........................................87
-Marke ........................................................................ 191
A
Accent (Accent: Noten-Bezeichnung,
Anschlagsempfindlichkeit) .............................................. 272
ALG (Algorithm) ............................................................ 113
Algorithm ........................................................................ 113
ALL (All Data) ........................................................ 263, 265
All Data .......................................................................... 260
Als Akkorde wiedergegebene Arpeggios ........................ 244
Alternate Group .............................................................. 146
Alternative Wahlverfahren ................................................ 38
AMD (Amplitude Modulation Depth) ...................... 102, 147
AMP (Amplitude) ...................................... 96, 110, 119, 147
AN + FDSP Voices ............................................................ 35
AN Mono/Poly (AN Monophonic/Polyphonic) ................ 112
AN Priority ...................................................................... 113
AN(Layer) + AWM Voices ................................................ 34
AN(Poly) + AWM Voices .................................................. 34
AN-Synthese (Analog Physical Modeling) ........................ 33
AN-System-Übersicht ...................................................... 33
Ändern von Events ........................................................ 204
Ändern von Steuerungsdaten ........................................ 205
Ändern von Tempo-Daten .............................................. 206
Anhören der Einstellungen desPreset-Menüs ................ 171
Anhören des Arpeggiators .............................................. 240
Anzeige der Filtergraphik .................................................. 93
Anzeige der Step-Aufzeichnung .............................. 225, 246
Anzeige des Arpeggio-Modus ........................................ 238
Anzeige des Performance Play-Modus .......................... 156
Anzeige im Voice Play-Modus .......................................... 75
Append Arpeggio ............................................................ 251
Append Pattern .............................................................. 230
Append Sample .............................................................. 183
ARP ................................................................................ 160
ARP (Arpeggio) ................ 79, 160, 238, 245, 261, 265, 268
Arp Hold (Arpeggio Hold) ...................................... 161, 272
Arp MIDI A/B (Arpeggio MIDI A/B) ................................ 271
Arp MIDI A/B (Arpeggio MIDI OUT A/B) ........................ 161
Arp MIDI Ch (Arpeggio MIDI Channel) .................. 161, 271
Arp Note LimitH (Note Limit High) .......................... 79, 161
Arp Note LimitL (Note Limit Low) ............................ 79, 161
Arp Sw (Arpeggio Switch) ........................................ 79, 161
Arp Tempo (Arpeggio Tempo) .................................. 79, 161
Arp Type (Arpeggio Type) ........................................ 79, 161
ARP-EDIT (Arpeggio Edit) ........................................ 79, 160
Arpeggio Edit-Modus ...................................................... 247
Arpeggio Hold .................................................................. 61
Arpeggio Job-Modus ...................................................... 249
Arpeggio Record-Modus ................................................ 245
Arpeggio-Modus ............................................................ 238
ArpeggioSw (Arpeggio Switch) ...................................... 166
Arten von Dateien .......................................................... 260
Arten von Daten .............................................................. 260
ASIB1 (SCSI-Schnittstellenkarte) .................................. 278
Assign .................................................................... 163, 272
Atck Level ........................................................................ 85
Atck Time .......................................................................... 85
Atck Time Vel (Attack Time Velocity) .................... 84, 95, 98
Attack Level ...................................................................... 96
Attack Mode .................................................................... 99
Attack T.Kf (Attack Time KeyFollow) ...................... 132, 140
Attack Time ........ 96, 99, 109, 111, 119, 120, 132, 140, 167
Audio-Anschlüsse ............................................................ 18
Aufmahmemodus .......................................................... 195
Aufnahme-Modi ...................................................... 224, 246
Aufnahme-Modus und Eingangs-Einstellungen ................ 70
Aufnehmen des Samples .................................................. 71
Aufstellung ...................................................................... 16
Auswahl einer Performance ............................................ 157
Auto Load-Funktionen-Dateibezeichnungen, die Disketten-
Daten automatisch laden und wiedergeben .................... 261
AWM- Systemüberblick .................................................... 29
AWM-Synthese ................................................................ 29
B
Balance .......................................................................... 132
Bank ...................................................................... 108, 117
Bank (Voice Bank) .......................... 164, 165, 167, 169, 170
Bank (Wave Bank) ...................................................... 80, 81
Bank/PC:MD (Bank/Program Change: MIDI) .................. 170
Beat Number ................................................................ 221
Beat Graph ...................................................................... 199
Bedienelemente und Anschlüsse ........................................ 8
Bedienungsschritte für Undo/Redo ................................ 218
Bedienungsschritte im Utility-Modus .............................. 270
BEF (Band Elimination Filter) ............................................ 93
Begleitung mit dem Arpeggiator ...................................... 51
Bend (Pitch Bend) .......................................................... 202
boost 6dB/12dB/18dB ...................................................... 90
BP 1~4 Level(Pegel) ........................................................ 94
BP 1~4 Point(Punkt) ........................................................ 94
BP High (Break Point High) ............................................ 125
BP Low (Break Point Low) ............................................ 124
BP1~4 Level(Pegel) .......................................................... 97
BP1~4 Point(Punkt) .......................................................... 97
BPF (Band Pass Filter) ................................................ 89, 93
Breath Controller .............................................................. 17
Breath Controller Assign ................................................ 275
Bright .............................................................................. 168
C
Cat (Category) .................................................................. 80
CAT (Channel After Touch) ............................................ 203
Cat(Category) .................................................................. 81
CC (Control Change) ...................................................... 202
Ceiling ............................................................................ 137
Center Key ........................................................................ 83
Center Key (Center-Schalter) .......................................... 179
Channel .......................................................................... 272
Cho (Chorus) .................................................. 106, 107, 162
Cho Pan (Chorus Pan) ............................................ 106, 162
Cho Return (Chorus Return) .................................. 106, 162
Cho Send (Chorus Send) ................................ 106, 145, 165
Cho Type (Chorus Type) ................................................ 162
Cho → Rev (Chorus → Reverb) ................................ 106, 162
Chord Separate .............................................. 211, 234, 255
Chord Sort ...................................................... 211, 233, 255
Chorus .............................................................................. 65
Clear Arp ........................................................................ 250
Clear Arpeggio ................................................................ 250
Clear Pattern .................................................................. 229
Clear Song ...................................................................... 207
Clear Track ...................................................... 208, 229, 251
Click (Click-Modus) ................................................ 220, 239
Click (Metronome) (Click-Modus) .................................. 186
Click (Metronome) Beat .................................................. 186
CLICK (MIDI Click) ........................................................ 272
Clk (Clock Shift) ............................................................ 189
ClkSft (Clock Shift) ........................................................ 191
Clock ...................................... 211, 215, 234, 235, 255, 256
Clock Number ................................................................ 222
Coar (Coarse Tune) ........................................................ 153
Coarse ............................................................................ 127
Coarse Tune .............................................................. 83, 144
COM (Common) ...................... 77, 107, 112, 123, 142, 159
COM-MENÜ .................................................................... 158
Connect .................................................................... 92, 271
Contents ............................................................................ 7
Controller ........................................................................ 170
Controller Reset .............................................................. 271
Controller Set-Neuordnung .............................................. 59
Controller-Sätze ................................................................ 58
COPY ...................................................................... 162, 192
Copy Arpeggio ................................................................ 250
Copy Measure ................................................ 209, 231, 253
Copy Pattern .................................................................. 229
Copy Perform (Copy Performance) ................................ 173
Copy Sample .................................................................. 183
Copy Track ...................................................... 208, 229, 251
Copy Voice ...................................................................... 149
Copy Wave ...................................................................... 155
Create Measure .............................................................. 209
Crescendo ...................................................... 217, 236, 258
CTRL (Controller Setup) ................................................ 275
CTRL (Controller) .................. 103, 111, 123, 147, 163, 272
Ctrl (Controllers) .................................................... 104, 169
Ctrl to MIDI (Contoroller To MIDI) .................................. 170
Ctrl To TG (Controller To Tone Generator) ...................... 170
Ctrl(Controller) .............................................................. 141
Current Voice .................................................................. 150
Curve ...................................................................... 163, 272
Cutoff Freq (Cutoff Frequency) .............................. 110, 118
D
Das Effect-System des EX ................................................ 65
Das VL-“Instrument” oder die “Welle” ............................ 30
Das Voice/Performance-Verzeichnis ................................ 38
Dateiverzeichnis .............................................................. 262
Datensicherung .............................................................. 260
DCF (Dynamic Control Filter) .................................... 91, 110
DCF1 Type (Filter 1 Type) ................................................ 91
DCF1/2 EG (F1/2 EG) ........................................................ 92
DCF1/2 Freq (F1/2Frequency) .......................................... 91
DCF1/2 Gain .................................................................... 91
DCF1/2 LFO (F1/2 LFO) .................................................... 92
DCF1/2 Reso (F1/2 Resonance) ........................................ 92
DCF2 Type (Filter 2 Type) ................................................ 91
Dcy 1/2 Level (Decay 1/2 Level) ................................ 85, 96
Dcy 1/2 Time (Decay 1/2 Time) .................................. 85, 96
Dcy 1~3 Level .................................................................. 99
Dcy 1~3 Time (Decay 1-3 Time) ...................................... 99
Dcy1 Time Vel (Decay 1 Time Velocity) ............................ 98
Decay Level Vel (Decay Level Velocity) ............................ 99
Decay T.Kf (Decay Time KeyFollow) ...................... 133, 140
Decay Time .................... 111, 119, 120, 133, 137, 140, 168
DEL (Delete) .................................................................. 268
Delay ...................................................................... 100, 103
Delete Measure .............................................................. 210
Delete Sample ................................................................ 183
Delete Wave .................................................................... 155
Depth .............................................................. 103, 163, 272
Der Arpeggiator ................................................................ 61
Der Key Map-Modus ........................................................ 72
Der Pattern-Modus .......................................................... 60
Der Song-Modus .............................................................. 60
Dest (Destination) .......................................................... 103
Appendix
296
Index