Yamaha CLP-230 Benutzerhandbuch
Seite 81
CLP-240/230
Owner’s Manual
81
4. PROGRAM CHANGE
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
• When program change reception is turned OFF in the Func-
tion mode, no program change data is transmitted or received.
Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
6. SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, 2DH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 32H (CLP02)
30H, 30H (version x, y)
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H
• Panel Data Contents
• Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
ll
H =
Volume LSB
mmH =
Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
ll
H =
Volume LSB
mmH =
Volume MSB
F7H = End of Exclusive
CLP-240
CLP-230
MSB
LSB
P.C.#
GRANDPIANO 1
GRANDPIANO 1
0
122
0
VARIATION
—
0
123
0
GRANDPIANO 2
GRANDPIANO 2
0
112
0
VARIATION
—
0
112
1
E.PIANO 1
E.PIANO 1
0
122
5
VARIATION
—
0
122
88
E.PIANO 2
E.PIANO 2
0
122
4
VARIATION
—
0
123
4
HARPSICHORD
HARPSICHORD 1
0
122
6
VARIATION
HARPSICHORD 2
0
123
6
E. CLAVICHORD
—
0
122
7
VARIATION
—
0
123
7
VIBRAPHONE
VIBRAPHONE
0
122
11
VARIATION
—
0
122
12
CHURCH ORGAN
CHURCH ORGAN 1
0
123
19
VARIATION
CHURCH ORGAN 2
0
122
19
JAZZ ORGAN
JAZZ ORGAN
0
122
16
VARIATION
—
0
123
16
STRINGS
STRINGS 1
0
122
48
VARIATION
STRINGS 2
0
122
49
CHOIR
CHOIR
0
122
52
VARIATION
—
0
123
52
GUITAR
GUITAR
0
122
24
VARIATION
—
0
122
25
WOOD BASS
—
0
122
32
VARIATION
—
0
124
32
E.BASS
—
0
122
33
VARIATION
—
0
122
35
Data
Transmission
Reception
F8H
Transmitted every
96 clocks
Received as 96-clock tempo timing
when MIDI clock is set to External
FAH
Recorder start
Recorder start
Not received when the MIDI clock is
set to Internal.
FCH
Recorder stop
Recorder stop
Not received when the MIDI clock is
set to Internal.
FEH
Transmitted every
200 milliseconds
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Dumper Mode
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) Variation On/Off
(27) Touch Sensitivity
(28) Fixed Data
(29) Left Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) Key-Off Sampling Depth