Yamaha S90ES Benutzerhandbuch

Seite 199

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Index

199

Bedienungsanleitung

Anhang

E

„E“ (Anzeige)

..........................................................25

Echo

..........................................................................69

Edit-Recall-Funktion

..............................................26

[EFFECT BYPASS]-Taste

.............................17, 119

Effect-Send-Pegel

...............................................181

Effektblock

.............................................................118

Effekt-Plug-in-Erweiterungskarte

.......................99

Effektstruktur

.........................................................118

Effektverknüpfung

...............................................121

EG Time

.................................................................137

EGDepth

........................................................134, 136

EGTime

...........................................................134, 136

EGTimeSens (EG Time

Sensitivity)

.............................................135, 136, 138

EL:OUT 1-4 (Element 1–4 Effektausgang)

....121

Element

....................................................................44

Element Edit

............................................................45

Element-EQ

...........................................................119

ElementSw (Element Switch)

............131, 133, 140

[ENTER]-Taste

........................................................17

[EQ]-Taste

...............................................................42

Equal Temp (Equal Temperament)

.................147

Equalizer (EQ)

......................................................119

Ergänzende Informatinen

..................................170

Exp (Expression)

..................................................155

Expression

.............................................................181

EXT SW (External Switch)

..................................162

F

[F1] – [F6]-Tasten

..................................................23

Factory Set (Werkseinstellung)

..........................21

FadeIn (Fade In Time)

........................................132

FadeInTime

...........................................................139

FadeOut

.................................................................132

Favorites-Kategorie

...............................................33

FC1 (Foot Controller 1)

...............................155, 174

FC2 (Foot Controller 2)

.......................151, 155, 174

FC3, FC4, FC5

........................................................59

FEG (Filter Envelope Generator)

......................113

FEGDepth

..............................................................154

Remote-Control-Modus

........................................78

[FILE]-Taste

.............................................................12

File-Modus

.......................................................12, 168

Filter

........................................................113, 143, 144

Filtertypenliste

......................................................148

Fine (Fein)

......................................................134, 141

FineScaling

............................................................134

FixedVelocity

.........................................................163

FMod (Filter-Modulationstiefe)

..........139, 143, 144

FOOT-SWITCH-Buchsen

.....................................19

Free

.........................................................................168

FREQ (Frequenz)

.................................................150

FS (Foot Switch)

...........................................155, 174

FSAssign (Footswitch Assign)

..........................165

Fußcontroller

...........................................................60

Fußschalter (Haltepedal)

.....................................59

Fußschalter (zuweisbar)

.......................................59

G

GAIN

.......................................................................150

Gain

.........................................................................135

GAIN-Regler

...........................................................38

GateTimeRate

.......................................................131

GM/XG

....................................................................167

[GM]-Taste

...............................................................30

GM-Voice

...............................................................112

Grenzfrequenz (Cutoff-Frequenz)

....................113

GtKM (Arpeggio-Typ-Kategorie)

......................124

GtPl (Arpeggio-Typ-Kategorie)

........................124

H

Hardwarecontroller

................................................78

Harmonic Content (Harmonischer Gehalt)

....181

Hauptlautstärke

....................................................181

HighFreq (High Frequency)

......................145, 154

HighGain (High Gain)

.................................145, 154

Hochpassfilter

.......................................................113

Hold

.........................................................128, 130, 165

Hold (Hold Time)

..................................................132

Hold1

.......................................................................181

HPF12 (Hochpassfilter 12 dB/Okt.)

.................148

HPF24D (Hochpassfilter

24 dB/Okt. digital)

................................................148

HPFCutoff

.......................................................135, 141

HPFCutoff (High-Pass-Filter-Cutoff-

Frequenz)

...............................................................144

HPFKeyFlw (Key Follow)

....................................136

HySq (Arpeggio-Typ-Kategorie)

......................124

I

IEEE 1394

................................................................88

[INC/YES]-Taste

.....................................................17

Indian (Indisch)

....................................................147

Information

.............................................................176

[INFORMATION]-Taste

.................................17, 176

INIT

..........................................................................144

Ins A/B Ctgry (Insert-Effektkategorie)

.............121

Ins A/B Type (Insert-Effekttyp)

..........................121

InsA Ctgry (Insert A Category)

.........................152

InsA Type (Insert A Type)

..................................152

InsB Ctgry (Insert B Category)

.........................152

InsB Type (Insert B Type)

..................................152

InsChoSend (Insertion Chorus Send)

.............140

InsEF Connect (Insert-Effektverknüpfung)

....121

InsEF (Insert Effect)

.............................................154

InsEffectOut (Insertion Effect Output)

.............133

InsEFOut (Insertion Effect Output)

...................141

Insert-Effekte

.........................................................118

Insertion

..................................................................163

INT SW (Internal Switch)

....................................162

Internal (intern)

.....................................................163

Interne Struktur

.....................................................108

K

Kanalmeldung

......................................................180

Kanalmeldungen

..................................................182

KBDTransCh (Keyboard Transmit

Channel)

.................................................................166

Key Edit

....................................................................47

KeyAsgnMode (Key Assign Mode)

.................128

Keyboard-Mega-Voice

.......................................110

KeyMode

................................................................130

KeyOnDelay

..................................................133, 139

KeyOnReset

..................................................131, 139

Kirnberger

..............................................................147

Klangerzeugungseinheit

....................................109

Kontrast

................................................................... 10

Kopierbare Datentypen

..................................... 160

Kopierbare Datentypen (Type)

........................ 146

Kopiervorgang

..................................................... 146

L

L&RGain

................................................................ 164

Layer

......................................................................... 36

Lead (Arpeggio-Typ-Kategorie)

...................... 124

LegatoSlope

......................................................... 129

lemSw (Element Switch)

.................................... 132

LEVEL

..................................................................... 144

Level

............................................................... 137, 142

LevelSens (Level Sensitivity)

............................ 138

LFO (Low Frequency Oscillator)

..................... 114

Local Control (Lokalsteuerung)

......................... 69

LocalCtrl (Local Control On/Off)

...................... 166

LowFreq (Low Frequency)

........................ 154, 145

LowGain (Low Gain)

................................... 145, 154

LPF12 + BPF6 (Tiefpassfilter 12dB/Okt. +

Bandpassfilter 6 dB/Okt.)

.................................. 148

LPF12 (Tiefpassfilter 12 dB/Okt.)

.................... 148

LPF18 (Tiefpassfilter 18 dB/Okt.)

.................... 148

LPF18s (Tiefpassfilter 18 dB/Okt.,

gestaffelt)

.............................................................. 148

LPF24A (Tiefpassfilter 24 dB/Okt., analog)

.. 148

LPF24D (Tiefpassfilter 24 dB/Okt., digital)

... 148

LPF6 (Tiefpassfilter 6 dB/Okt.)

......................... 148

LPFCutoff

............................................................... 141

LPFReso

................................................................ 141

M

M. TuningNo. (Micro Tuning Number)

........... 128

M. TuningRoot (Micro Tuning Root)

................ 128

Master

................................................................ 67, 90

[MASTER]-Taste

.............................................. 10, 12

[MASTER VOLUME]-Schieberegler

.................. 16

Master-Edit-Modus

............................................. 173

Master-Effekt

................................................ 119, 121

Master-EQ

..................................................... 120, 121

Master-Job-Modus

.............................................. 175

Master-Keyboard

.................................................. 90

[MASTER]-Modus

................................................. 90

Master-Modus

................................................ 12, 172

Master-Play-Modus

............................................. 172

Maximale Polyphonie

......................................... 115

Mega-Voice

.......................................................... 110

Memory

.................................................................. 172

Mic/Line

................................................................. 164

Micro-Tuning-Liste

.............................................. 147

MidFreq (Mid Frequency)

................................. 154

MidGain (Mid Gain)

............................................ 154

MIDI

........................................................................ 180

MIDI IN/OUT

......................................................... 166

MIDI IN/OUT/THRU-Anschlüsse

........................ 19

MIDI Sync (MIDI-Synchronisation)

.................. 166

MIDI through

........................................................... 69

MIDI-Gesamtlautstärke

...................................... 183

MIDI-Kanal

...................................................... 65, 180

MIDI-Port

......................................................... 67, 180

MIDISwitch

............................................................ 173

Mikrofon

................................................................... 38

Mischpult

................................................................. 63

mLAN

....................................................................... 88

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